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underground signals, kept in circulation
2026-07-07

Back On Air

This week moves from reconstructed live recordings to dubplate logic, deep jungle, and stripped halftime. It is a hard reset across several tempos, held together by low-end pressure.

Start with Peter Kan's 2325_seL: fifteen pieces reconstructed from live recordings in Tbilisi. It reads like a data dump and plays like a transmission, with deep dub bass running beneath the sharper sound design.

Runaaki & SKECH's Fall EP on Sir Dub Muzik came out of an unplanned studio session: one original, two VIPs, and a NITIN remix built around instinct and dubplate logic.

DJ Airwalk's Scan For More brings deep-house calm to 160 with minimal 808 bass. The flip, Collide & Scope, turns funkier and softer at once.

HØST's 5C5 X UR NO GD 4 ME is two tracks of self-released UK halftime pressure, carrying noise at the edges without losing the body underneath.

Jaz Imsky and En:vy close the line with Codebreaker, cold, percussive dubstep built for a system and the sharpest hit in the selection. DUPLOC's LEGACY 1 follows on July 13.

Five routes through the low end. Back on air.

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